hard truck 2 king of the road soundtrack

#Hard truck 2 king of the road soundtrack license#
#Hard truck 2 king of the road soundtrack series#

What scene was “Memory Lane” going to be used for? There might be an extra layer if anybody was paying close attention. She was very aware of when it was appropriate to have it link up thematically. As we were editing it, our editor Cindy Mollo was really amazing. A song like ‘Memory Lane’ fit perfectly for one of the things in there, but then we couldn't get it. It had a fair amount when I was writing it. When you wrote the script, did Illmatic influence it or was that more so afterwards? It appears like the lyrics are paired perfectly with the scenes.

#Hard truck 2 king of the road soundtrack license#

When Ruth is sneakily replacing the license plates, you can hear Nas on “Represent” talking about cops watching her. We had to work like crazy to get the songs that we got. It was just a matter of trying to get it cleared, which is difficult sometimes with ‘90s hip-hop because not all the samples were always cleared, so it just gets into some legal stuff. The second we decided it should be Illmatic, it couldn't be anything else. I also felt the way the album lays out, it feels very whole, but there are different moods in there that were going to suit what we shot. I could understand her identification with it, or her love of it. At the same time, she’s around the same age as he was when he wrote that album. She’s a 19, 20-year-old white woman who lives in a trailer in Missouri. I mean, in one way, they're very different. One, because it's one of the best records of all time. I told Gabe, ‘I wanna be deep in Ruth’s head.’ He said, ‘ Illmatic.’ The second he said it, it was exactly right. We knew we wanted it to be something old school. I wanted to use that record, which I love, as her way of not breaking out of the moment. TINA ROWDEN/NETFLIX MH: Episode 8 feels like the first episode spiritually narrated by one album, Illmatic.Ĭhris Mundy: 100%.

#Hard truck 2 king of the road soundtrack series#

To truly understand the thinking behind these music choices, Ozark showrunner Chris Mundy broke down why he chose Nas' Illmatic to soundtrack an entire episode, how the fact these are the final episodes of the series influenced the song choices, and what song he really wanted to get into the show but couldn't. Laura Linney directed episode 11 'Pound of Flesh and Still Kickin''-the first and only episode she's directed in the series- and let “I Saw The Light” by Todd Rundgren play over Marty acting in a way we've never seen him act ever.

Episode 8, titled 'The Cousin of Death,' is the first episode in Ozark history soundtracked by one album, Nas's Illmatic, as Ruth goes on a crusade that ultimately changes everything about the show. The soundtrack of the final episodes maintains that same spirit of the previous 37 episodes, but with a feeling of finality in the form of experimentation. Ozark has been a show where anything can happen, and any song can be heard at any moment. Looking Glass's upbeat 'Brandy' soothes us during a ride in the country that suddenly turns deadly for another key character while the song still plays, almost as a balm for the band-aid that was just ripped off. The surprise Season 3 finale death of a character we thought would make it to the end is punctuated by Run The Jewels' bombastic 'Ooh La La,' punching us out of our shock. Ozark 's soundtrack has always been an integral part of the show's DNA, serving different purposes depending on the scene. After five years, four seasons, 44 episodes, and millions of drug money laundered from a Mexican cartel, Ozark is leaving our lives, but not without some of the best musical moments of the entire series.